Neha Kirpal reviews Prof. Dhruv Nath’s Welcome to Aaraampur calling it a charming and amusing debut novel of angel investor, mentor, author, and director of
Akshaya Ganesh reviews Revathi’s soul-stirring memoir Vellai Mozhi (Adaiyaalam, 2021) a raw and honest portrayal of sexual minorities in India. I sometimes wonder what it
Amritesh Mukherjee reviews Kinshuk Gupta’s ये दिल है कि चोर दरवाज़ा (Vani Prakashan, 2023) observing how it presents perspectives that help you see the world
Meera Mukherjee: Breaking Moulds by Vaishali Shroff (Published by Art1st Publications, 2023) is the story of a woman artist who overcame many hurdles in her
Patna Blues by Abdullah Khan (Published by Juggernaut, 2018) is a captivating read with its simple prose, vivid descriptions of places, and well-developed characters Abdullah
The non-Purdah abiding, science-savy women in Rokeya Sakhawat Hossain’s Sultana’s Dream Rokeya Sakhawat Hossain was born (in 1880) to an orthodox zamindar during a time
The Blue Women by Anukrti Upadhyay navigates into lived lives of people, their inner demons, and perceived evil. Life is not a victim of reason
Sneha Pathak reviews Tears of the Dragon by Ankush Saikia, a racy edge-of-the-seat thriller that leaves you asking for more. First, there were the gentlemen
Sneha Pathak reviews Nilanjana S Roy’s Black River (Context, 2022) which masquerades as a police procedural, a thriller, and a suspense novel. What attracted me
Akankshya Abismruta reviews Varun Gwalani’s The Only Way Out is Death (Saga Fiction, 2022). Locked-room thriller immediately reminds me of And Then There Were None
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