Indian literature, while vast, often remains limited in the mainstream. Outside the handful of classics and Booker-winning titles, the vast reservoir of stories and voices
Zoeb Matin reviews The Adventures of Rusty by Ruskin Bond (published by National Book Trust, 1995). It is curious, sometimes, when one thinks of it
Neha Kirpal reviews How to be Happy by Ruskin Bond (published by HarperCollins India, 2024). One of India’s most well-known writers, Landour-based Ruskin Bond’s latest
Amritesh Mukherjee reviews Tarun K. Saint’s The Hachette Book of Indian Detective Fiction (published by Hachette India, 2024). Some of my favourite childhood memories involve
Like other socio-political aspects, the portrayal of women in Indian cinema has been tricky from the beginning. While, on one hand, it’s been a source
Goa-based author and graphic designer Bina Nayak’s recent book is about the misadventures of an influencer. Madhur Chopra aka Maddie escapes Delhi during the COVID-19
As they say (or should say, if they don’t), everything starts from the page. Almost every movie has its inception through a screenplay (or a
Team P3 is in conversation with author and journalist Divrina Dhingra, author of The Perfume Project. Divrina Dhingra is a journalist and has previously worked
Akshaya Ganesh reviews Perumal Murugan’s Pyre, originally written in Tamil as Pookuzhi and translated into English by Aniruddhan Vasudevan (Published by Penguin India, 2017) Since
Amritesh Mukherjee is in conversation with Mridula Garg where she shares her thoughts on censorship in literature, about the public reception of her work, and
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